However, the X-T4 sets itself apart with in-body image stabilization (IBIS). Image quality and performanceīoth cameras come with the same 26-megapixel APS-C X-Trans sensor and X-Processor 4 image processor, so image quality should be identical, all else held equal. Keep in mind, that doesn’t mean waterproof - they can’t survive being submerged. Neither is heavy by any absolute sense, and both are far less tasking on the arms than most DSLRs.įor the outdoor shooter, both cameras will give you peace of mind when shooting in harsher conditions as both are weather resistant. That’s a little more than the X-Pro3 at 17 ounces. If weight is an important factor for you, the X-T4 weighs just shy of 19 ounces, thanks in part to a new, larger battery. Using the optical viewfinder will also save some battery life. This isn’t something every photographer needs - or even wants - but it’s an experience unique to the X-Pro line. This is a parallax viewfinder, meaning you’re not seeing directly through the lens, but frame lines overlaid in the viewfinder will give you your approximate framing. However, the X-Pro3 uses a hybrid viewfinder that also features a fully optical mode - basically a window. From the perspective of the electronic viewfinder, this is largely an aesthetics difference - both EVFs offer the same 3.69-million-dot resolution. The X-T4 follows a traditional SLR design, placing the viewfinder in the center of the camera body, whereas the X-Pro3 is more akin to a rangefinder with a viewfinder mounted in the left corner. This further cements the camera’s position as a still video hybrid, making it more useful for YouTubers and vloggers in addition to traditional photographers.Īnother glaring difference in design is the placement of the viewfinder. It’s the first model in the line with a fully articulating screen, a broadly welcomed change. The X-T4 wasn’t without its own design upgrade. This one choice is what makes the X-Pro3 extremely niche and suggests Fujifilm built the camera very specifically for street photographers. It was a bold, if somewhat confusing, move that not every photographer appreciated. Fujifilm made it purposefully awkward to use while shooting, in an attempt to encourage people to use the viewfinder and stay focused on the scene ahead instead of reviewing every photo. It’s still there, you just can’t see it until you flip it down. In a forced throwback to the film era, the X-Pro3’s LCD screen is hidden by default. The mirrorless Fujifilm X-T4 camera brings a stabilized sensor for the first time Sony A6600: Top APS-C mirrorless cameras compared Fujfilm X-T200: Best beginner mirrorless cameras comparedįujifilm X-T4 vs.
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